More Works

CIRCUIT (KRETS), 2021

CIRCUIT/KRETS, 2021
Sitespecific work for
Ur Mörkret,
Konst Tar Plats,
the old Lancashire-smithy in Karlholmsbruk

Blown glass, water from the pond, braided grass, cast silicon, found iron objects, textile.

MEND I-III
For Kjerringøy Land Art Biennial, 2021
(At-home version due to Covid)
Near my home is a newly created clear cut, where all the fir trees were killed by bark beetles last summer. I spent a hot week in early July, befriending the place. Braiding grass for the last trees still standing, as an act of care(MEND I). I attempted to do something for a rock that newly lost it's cover of moss, but the rock was happy as it was, and it ended up a self-care project (MEND II). And last, taking care of the dried up moss-cover, bringing it home to a shady place (MEND III).

MEND I

MEND II

MEND I

MEND III (Pietá)

River-and-I. Installation view from Stipendiater 2020, Uppsala art museum

Water Talks. Installation at Konstfack, 2019

Water Talks. Installation view from Stipendiater 2020, Uppsala art museum

Water Talks: Spring water. Installation view from Sadelmakarlängan, 2020

What was hidden, 2018

Installation using raw clay and household objects.
. . .
Clay as archive; 40.000 years old handprints
on the cave wall look exactly as my own.
Time is always present.
There is a promise and a threat.

Raw clay, household objects, glycerol,
time, motion, paradox, dust
. . .
Silence.

. . .

Raw clay, household objects, space
. . .
Quiet.

Raw clay, household objects, glycerol
. . .
Temporality.
Memory is always distorted.
All shall be covered in dust.

Raw clay, household objects, pressure
. . .
Traces of body and motion.
Events stuck in matter.
Actions caught in time and space

Besvärjelser, 2018

Materialized, 2018

Some of your places, 2017